How are you all? I hope summer is treating you beautifully. I’m having the best time – reading, exploring, holidaying. We’re so lucky to be able to experience everything we’ve got on offer right now. It sounds like such a cliche but I’m so grateful for what I have right now. I’ve had some wonderful quality time with my family and I’ve made a big dent in my TBR pile. (They have since been replaced by books purchased from various days out but we won’t say too much more on that matter…)
Today I want to share with you a book that I couldn’t put down or stop thinking about. For those of you who have followed me for a while, you’ll know how much I love my psychological thrillers and this one did not disappoint. I got The Pocket Wife in one of my book subscription boxes. I’d never heard of it and didn’t know anything about it. Regardless, I read this book in a few hours. It was that good. Most importantly, it was one of those books where I just had to find out what happened. It kept me guessing until the penultimate chapter. I have to confess, I didn’t manage to work this one out! Don’t worry – no spoilers here! I hope you enjoy reading my review!
What’s it all about?
Centred around Dana Catrell and her husband Peter, we are at once given an unreliable narrator. Why? Dana has bipolar disorder. She lives at home whilst her husband is the high flying attorney. As a result, he hasn’t a clue about the deterioration of Dana because he isn’t there to notice the changes in her mood and character. This change is worsened with their son’s move to college.
We awkwardly see Dana move between the bleakest depression to manic euphoria. There is no way to know which side of that she will fall on each and every day. On a particularly down day, Dana pops to see her neighbour, Celia. The women talk and Celia is only too aware of the mental health issues faced by Dana. Dana discloses to her that she feels like she is treated incorrectly, like she’s a ‘pocket wife’ and that she doesn’t exist. The crux of it is, she feels alone and rejected. Celia understands and listens.
“She and Celia were friends, neighbours, sharing piecrust recipes and gossip and yard-sale outings, an occasional languid conversation over coffee or an afternoon trek through the mall with bags in hand. But not secrets. Not until today.”
On a subsequent visit, Dana tells Celia that she is becoming increasingly convinced that Peter is having an affair. He leaves to talk on the phone and constantly finds excuses to leave the house. Like any good friend, Celia checks that Dana is taking her medication as well as seeing her psychologist. She believes it is best that she talks about those fears with someone who is trained and who can give the best advice. Dana discloses that she has opted for alcohol rather than medication thus adding to the unreliability of her narrative.
“There were times over the years when her demons won out, when she wore her lipstick too dark, her mascara too heavy, her dressed too short.”
Regardless, Celia offers Dana wine and the pair of women spend the afternoon together. They chat and enjoy each other’s company but it isn’t long until Dana is drunk. Celia tries to show her a photograph on her phone but Dana passes out before she can make any sense of it. What does this photograph show? When she wakes up, she sees that she is back within the confines of her own house. More worryingly, she learns that Celia has been murdered.
As the last person to see Celia alive, this puts Dana in quite a difficult position. She obsessively tries to put the memories together of the previous night but she struggles. Her frustration with herself only makes the task more impossible. Ultimately, her biggest fear is that because she has a key, she went back over there and killed her. Dana has very little recollection about where she’s been or what she has done.
The one factor that Dana keeps returning to is the photograph. It is the one image that is returned to repeatedly through the novel. It’s what the plot is hung off. Dana believes (or persuades herself) that the photograph she wanted to show her must have something to do with her death. She doesn’t trust her husband at all so talking with him is out of the question. She makes the decision to try and work this one out for herself. When the lead detective, Jack Moss, arrives to ask some routine questions, Dana sees this as an opportunity to get some help from him.
For Moss, his own personal life is somehow mixed into this case too. When he gets the return back on the fingerprints they ran, he didn’t expect to see the fingerprints of his own son, Kyle, on the report. Both Moss and Dana now each have something they want to hide which impacts the progress of the case. Prosecutor, Lenora White, is constantly applying pressure to Moss to make an arrest and get the case solved.
Following this, Dana discovers Celia’s mobile number stored on Peter’s mobile. In her heightened emotional state she worries because he’s told her that he only knows her in passing. Yet, his phone tells a different story. When she looks at the same phone later the number has been removed. This reinforces to her that something is going on and that Peter is potentially hiding something from her. Let’s not forget her emotional state though. Everything is already heightened and distorted.
“Not only are her memories of Celia’s actions on that afternoon a sham, but memories of her own as well. She gets up quickly, before the ceiling covers her, before the walls enfold her, crush her.”
Meanwhile, Dana manages to remember who was in the photograph on Celia’s phone: another woman. She manages to get Celia’s phone but this time the photograph has been deleted. This leads her to the horror and believe that she could have made the whole thing up or imagined seeing it there. She is certain she’s going crazy. She soon falls into another manic state but this time she chooses to use this to help her solve the case.
During his own enquiry, Moss learns that Kyle knows Celia as he was one of her students. He is certain that there’s a rational explanation for his fingerprints to be at her house. His son isn’t a murderer. But if he isn’t, who is? Celia is still dead. Increasing pressure comes from Lenora who wants the case wrapped up.
Evidence is found which then shows things in a very different light. Moss has a duty to investigate and does so. By the end of the novel, the murderer is revealed as well as their motive. After all, forensics don’t lie.
What about Dana? Well, she accepts that she needs help with her mental illness but also now acknowledges that her marriage is also a sham. Everything is tied up neatly by the end of the novel leaving the reader wholly satisfied.
“This is the way the world ends. Not with a bang but a whisper.” ‘No, she thinks, it wasn’t a whisper; it was something else.’
For fans of The Girl on the Train, this book is a pacy little number that will keep you guessing until the end. I particularly found the writing surrounding the bipolar incredibly shocking. Psychologists at the time of publication found Crawford’s description accurate and sound. For me, that makes it authentic. We have a character who is clearly flawed but is desperate to know if she has killed someone in a manic state where she has no recollection of it. In that sense it’s incredible emotive. It also means we have a highly unreliable narrator. Can we believe anything she says or is it all a delusion?
Anyway, I loved this little book. It has everything a thriller should have and more. You’ll have to read it to find out who really killed her and why.
I’ll be back next time with my review of my August book as well as my round up for August. I can’t wait to catch up with you all then!
Big love all xxxx