Happy new year everyone!
Hope you’re all well and 2016 has started off in the best way for you. My new year started with a visit to the Royal Shakespeare Company theatre in Stratford upon Avon with my best friend to see Wendy and Peter Pan. There aren’t enough words to describe how amazing, clever, magical and funny this show is. Being the grand young age of 25 means that we got tickets for £5 too. Such a bargain!
I should just state here that all photos used in this post are from the RSC website: https://www.rsc.org.uk/wendy-and-peter-pan/about-the-play
As I’m sure you’ve noticed, the title of this production is an inversion of the original, placing emphasis on Wendy as well as Peter. Ella Hickson, writer and adapter of Wendy and Peter Pan, was really clear that in the original it was Peter having all of the fun, whereas Wendy was just playing mother. She wanted to tell her version from Wendy’s perspective.
There are many aspects that are true to the original: Peter, the Lost Boys, Neverland, flying, Tink, Hook. They have just been tweaked and changed for a modern audience. It must be noted that a modern audience is both adults and children. There is humour for youngsters and intricate plot details for the adults. From start to finish the laughter echoed from the walls from young and old alike. A particular favourite part of mine, when Wendy was teaching the Lost Boys how to shake hands and say “How do you do” Curly says:
“How do I do you?”
Also, to differ from the original plot, Hickson invents a third sibling, Tom, who suffers from an sickness. This is where the older, more metaphorical interpretations of the novel are explored through drama.
Casting and characters:
Firstly, I need to say how brilliant this production cast were. There were a range of ages within the production team as well as experience, but all were equally amazing.
Wendy, played by Mariah Gale, was exceptional. She portrays her devotion, rejection, hurt and happiness all explicitly and effectively. She was a fabulous Wendy. Her brother, Tom, is always at the front of her mind. She’s desperate to find him, for him to be with the Lost Boys. Thus, she can make herself happy again.
Peter Pan, played by Rhys Rusbatch, was sublime. He played the part of Pan really well, focussing clearly on how he never wants to grow up. The cheeky chappy is portrayed not only through dialogue but also his gestures. His flying, and his shadow should be praised equally too.
Hook and Smee, played by Darrell D’Silva and Paul Kemp respectively, were the epitome of the villain character. The banter between the two was hilarious and true to the original text. The relationship was portrayed really accurately. They made me smile, but I could see the children in the audience really boo-ing them. Always the sign of a good villain.
Martin, played by Adam Gillen, was the pirate who couldn’t ARRR. I recognised his voice, he has naturally humorous tone to his voice. (I finally remembered he was from ITV’s Benidorm!) The audience naturally feels for him because he’s quite clearly not a pirate and he’s clearly not a Lost Boy, so he doesn’t really fit with anyone.
Finally, and perhaps my favourite of all the characters in this production, Tinkerbell, played by Charlotte Mills. A cockney, naughty pixie. Who’d have thought it?! Her one liners, her reactions, her movements were just incredible. I laughed so hard at her. She’s just amazing.
“Oh, a little blab, did you? Lack of oxygen up there on your high horse?”
Staying true to the original, the production was set in the children’s nursery or Neverland. The nursery, with swords, beds, teddies and a mobile was really picturesque. (Image by me) Then when it came to Peter’s home, the stage came alive from the ground upwards, with Tink hanging on from a bed, a bath tub and fairy lights. Hook’s ship was also an incredible piece of craftsmanship. A whole ship on stage. Just wow!
So I left feeling like I always do, incredibly lucky to have the RSC on my doorstep at home.
Big love x